Archive for September, 2006

Sunday 10th September; “Speed-data-radio” event at the ICA:

Tuesday, September 12th, 2006

I dreamt I was in a theatre wearing a jacket covered in wires, my partner was in the audience, in fact she was the whole audience, all the other seats were empty. There were about ten tables with microphones on them, people seated around maybe half, they were talking about radio I think though you could only hear snatches… in a corner was a separate table where only two people could sit if they wanted to talk about themselves or maybe confess to something… I was at this table talking to Cecilia Wee, I waved to my partner in the audience, I think we talked about food for a while and then Cecilia told me about industrial sites in Europe… in the gloom I could make out Ed Baxter who would occasionally walk around selecting people to move to another table… I found myself talking to a woman from the BBC, we were apparently live on air… eventually we talked about radio being like a seance and how could you perform magic on radio? I read out a short story and woke up in St James’s Park…

I asked my friend Maurice if he had a radio story.

He lent me a 1950s wire recorder, having written on both sides of it in indelible ink; ‘Property of Captain Maurice Seddon, private museum of ancient wireless, Minifon German wire recorder’. With Maurice, aesthetics are irrelevant, he will drill a hole through the side of a wooden cabinet and thread wires through it, anything to repair a gadget or piece of sound equipment, with no regard for how it looks.

Would he have some nugget of information, something which might have happened when he was in the Royal Signals and his sister lived with Marconi’s daughter in Rome.
“The Marconis were half Irish”, he said.

We drove from his house at the edge of Heathrow airport where planes fly so low that conversation is difficult, to a large pub outside Old Windsor overlooking the Thames.

Clambering out of the car, clutching a red and white striped stick with his name and address written down the length of it, Maurice entered the pub, standing room only, to a soundtrack by Madonna.
“No beer for me thankyou, my family were all alcoholics,” and approached the ‘eat as much as you like’ salad bar, clutching a bowl, slowly filling it with ten different salads to accompany Scampi and chips.
“What is thousand island dressing?” he asked.
“I don’t know” I said, as he laboriously piled on blue cheese dressing, honey and mustard dressing, vinaigrette dressing, yogurt dressing, and of course thousand island dressing, attracting the attention of other customers as he caught his forehead on the glass roof of the salad counter, complaining loudly about the danger of this which must surely contravene health and safety regulations.

Seated outside, between the road and the pub under a vast parasol advertising something alcoholic, we talked through the sound of endless traffic, overhead planes, the chugging of passing boats, the chirping of birds, the banter of waitress and customer, and a gameboy.

Moving on to Windsor Farm shop we sat outside to have tea where Maurice laid a chair on its side.
“It’s broken” he said, in fact one leg had subsided into a hole in the grass. He took off his pullover, revealing a well worn T shirt with the words ‘ex-charity shop’ handwritten across the front.
“I did it myself” he said.
“Can I take a photograph?” I asked him.
“Is that a video camera, how much does such a thing cost? Shall I comb my hair?” and proceeded to comb his long white hair which I would have preferred in its wilder state.
“As you have a camera with you, you would be doing me a great service by photographing my leg which I could then use as a record of… have you seen it, have I shown you my leg? It’s actually in a shocking state, if I roll up my trousers you can see it”.
“I don’t think it’s a good idea to do that in a public place Maurice”.
“No, I need you to photograph it!” and continued to roll up the leg of his corduroy trousers, the one bare leg now shoeless and sockless, exposed to above the knee revealing red hard skin, deep dark red which looked almost like hardened roast beef and a swollen foot.
“Shall I turn so you can see the back?”
I started to film with the mini dv camera.
“Does it have sound?”
“Yes”.
“Amazing. It was a thrombosis, blocking of blood vessels due to clotting which shouldn’t be there, limited feeling, it’s a killer, it can recur at any time and that is why I take Warfarin, shall I revolve it round and show you, we ought to get it from all angles, it’s permanently discoloured, are you seeing it well, are you getting a good image, is that alright? [Cough cough] that’s my emphysema which is a lung condition due to twelve years compulsory nicotine consumption from my colleagues in Royal Signals, shall I give you a bottom view of the foot, does that help at all, and the other leg is also affected to some degree…”

A man in a striped shirt and dark trousers approached our table and asked: “What are you doing?”

Maurice looked up at him:
“We are taking photographs for historic, medical and possible future legal use of an injured, defective and very ill leg, do you see the condition, I have to take a careful balance of Warfarin every day for the rest of my life, it’s not curable, just Warfarin, it’s called thrombosis, one can die of an internal haemorrhage and loss of blood, do you have such a condition?”

The man replied:
“No I don’t have a condition. You’re on the grounds of Windsor Park. No photography is allowed on grounds of security. People are eating here and don’t want to look at someone’s thrombosis”.

radio.territories, London

Friday, September 8th, 2006

ILLUSION IS A REVOLUTIONARY WEAPON
by LORIS GRÉAUD

An intervention commissioned by Resonance FM and radia in the context of radio.territories

Sunday 10 September 2006
At Rochelle School
on Arnold Circus, Shoreditch
London E2 7ES
Starts at 3pm

“With ILLUSION IS A REVOLUTIONARY WEAPON, Loris Gréaud sets in motion a complex system of unattainable experiences. A multi-track exhibition with no center. A vast network of projects spanning continents and collapsing time. ILLUSION IS A REVOLUTIONARY WEAPON will manifest itself in the binding between projects rather than the discrete events geographically defined by London, Los Angeles, Milan, New York, Tokyo and Vilnius.

“Rooted in the deceptive potential of the transmission of information, the project – and its title – stems from the 1970 William Burroughs essay, “The Electronic Revolution”, in which the conspiratory capabilities of mass communication and mass confusion are elaborated. Cut-up techniques and the playback of multi-layers of recorded information stand to threaten the comfort of knowledge.” (Gabrielle Giattino)

In London, Loris Gréaud presents a supraliminal retrospective of his radio work (2004 – 2006) in a one-off transmission on the playground of Rochelle School. Sampled and filtered so as to only retain its highest frequencies, the radio programmes’ content is concealed, thus leaving the listener with a 54-minute long piece at the far end of audibility. Phantom noises and murmurs activate the memory of a past time during which information was once delivered – and perhaps believed. Yet, here the emissions’ substance is ungraspable and the media rendered powerless through the perverted playback. ILLUSION IS A REVOLUTIONARY WEAPON sets out a silent ceremony inducing a cryptic cinematic scene to which the viewer and passer-by become an active witness. Please bring an analogue radio receiver with you.

ILLUSION IS A REVOLUTIONARY WEAPON
Swiss Institute - Contemporary Art, New York
curated by Gabrielle Giattino

ILLUSION IS A REVOLUTIONARY WEAPON with Karl Holmqvist
ext 17 sound project / extended to ext 18 and ext 19
+1 212 925 2035 -ext 17, -ext 18, -ext 19 / September + October, 2006

ILLUSION IS A REVOLUTIONARY WEAPON (PROTOTYPE)
with Karl Holmqvist / Lounge project / September 20 - October 21, 2006

Swiss Institute - Contemporary Art
495 Broadway, 3rd Floor / New York NY 10012
www.swissinstitute.net / info@swissinstitute.net
Gallery Hours: Tues - Sat 11 am - 6 pm

+++

ILLUSION IS A REVOLUTIONARY WEAPON
ESL, Los Angeles
October 3, 2006

ESL | ESTHETICS AS A SECOND LANGUAGE
3507 Eagle Rock Boulevard, Los Angeles, CA 90065
www.eslprojects.org

+++

ILLUSION IS A REVOLUTIONARY WEAPON
As part of radio.territories, London

Commissioned and presented by Resonance 104.4fm
September 10, 2006

+++

(Day’s end) ILLUSION IS A REVOLUTIONARY WEAPON
With Item Idem and Assistant, Tokyo

September 11 – 16 , 2006

Public Space Commission
9, Akasaka, Minato-ku, Tokyo

+++

ILLUSION IS A REVOLUTIONARY WEAPON
Centre Culturel Français de Milan

22 September – 10 November 2006
venerdì 22 settembre: inaugurazione dalle 12.00 alle 21.00 alla presenza dell’artista / sabato 23 e domenica 24 settembre dalle 12.00 alle 20.00 nell’ambito di startmilano
CCFMI / Start

Le centre culturel français de milan, la galerie
corso magenta, 63 20123 milano
dal lunedì al venerdì, ore 10.00 – 19.00
sabato, ore 15.00 – 19.00
informazioni: tel.+390248591928 fax.+390248591952
presse@culturemilan.it / www.lecentreculturelfrancaisdemilan.it

+++

ILLUSION IS A REVOLUTIONARY WEAPON
CAC TV Vilnius

www.cac.lt

CAC TV Vilnius is part of the story which has been reportedly presented during the re-runs of the episodes of the 2006 season this summer.

+++

The London manifestation of ILLUSION IS A REVOLUTIONARY WEAPON is funded by the European Union’s Culture 2000 programme and co-ordinated by Ed Baxter and Anna Colin in the context of radio.territories.

radio.territories, initiated by the radia network, is a series of urban and acoustic interventions taking place across Europe. It explores the urbanisation of society from the perspective of media, gathering artistic responses to the question: How can diverse identities within a society become audible beyond mechanisms of media representation?

– radio.territories at the ICA
On Sunday 10th September 2006, Resonance 104.4fm also presented a day and night of new live radio-art at the ICA Theatre comprising Speed-Data-Radio: three dozen people talk for 90 minutes in a simultaneous series of open-ended round-table discussions, mixed live to air (from 1pm); and an evening of live radio (from 7.30pm), including The Harmon e. Phraisyar Show - Live!, the world’s most radical radio serial, with an all-star cast directed by Xentos ‘Fray’ Bentos ; Texte Trouvé, a new work by the Resonance Radio Orchestra, with texts by Ed Baxter; the official on-air launch of Xper.Xr’s “70 mph (you have no friends)” CD of this Hong Kong conceptualist’s motor engine pop band and complimentary WD40 flavoured perfume. Plus very special guest Willem de Ridder, the legendary Fluxus multimedia artist and broadcaster.

Venue: ICA theatre, London
Curated by Ed Baxter

Illusion is a Revolutionary Weapon

Thursday, September 7th, 2006

An intervention commissioned by Resonance FM and radia in the context of radio.territories

ILLUSION IS A REVOLUTIONARY WEAPON
by LORIS GRÉAUD

Sunday 10 September 2006
At Rochelle School
on Arnold Circus, Shoreditch
London E2 7ES
Starts at 3pm

“With ILLUSION IS A REVOLUTIONARY WEAPON, Loris Gréaud sets in motion a complex system of unattainable experiences. A multi-track exhibition with no center. A vast network of projects spanning continents and collapsing time. ILLUSION IS A REVOLUTIONARY WEAPON will manifest itself in the binding between projects rather than the discrete events geographically defined by London, Los Angeles, Milan, New York, Tokyo and Vilnius.

“Rooted in the deceptive potential of the transmission of information, the project – and its title – stems from the 1970 William Burroughs essay, “The Electronic Revolution”, in which the conspiratory capabilities of mass communication and mass confusion are elaborated. Cut-up techniques and the playback of multi-layers of recorded information stand to threaten the comfort of knowledge.” (Gabrielle Giattino)

In London, Loris Gréaud presents a supraliminal retrospective of his radio work (2004 – 2006) in a one-off transmission on the playground of Rochelle School. Sampled and filtered so as to only retain its highest frequencies, the radio programmes’ content is concealed, thus leaving the listener with a 54-minute long piece at the far end of audibility. Phantom noises and murmurs activate the memory of a past time during which information was once delivered – and perhaps believed. Yet, here the emissions’ substance is ungraspable and the media rendered powerless through the perverted playback. ILLUSION IS A REVOLUTIONARY WEAPON sets out a silent ceremony inducing a cryptic cinematic scene to which the viewer and passer-by become an active witness. Please bring an analogue radio receiver with you.

ILLUSION IS A REVOLUTIONARY WEAPON
Swiss Institute - Contemporary Art, New York
curated by Gabrielle Giattino

ILLUSION IS A REVOLUTIONARY WEAPON with Karl Holmqvist
ext 17 sound project / extended to ext 18 and ext 19
+1 212 925 2035 -ext 17, -ext 18, -ext 19 / September + October, 2006

ILLUSION IS A REVOLUTIONARY WEAPON (PROTOTYPE)
with Karl Holmqvist / Lounge project / September 20 - October 21, 2006

Swiss Institute - Contemporary Art
495 Broadway, 3rd Floor / New York NY 10012
www.swissinstitute.net / info@swissinstitute.net
Gallery Hours: Tues - Sat 11 am - 6 pm

+++

ILLUSION IS A REVOLUTIONARY WEAPON
ESL, Los Angeles
October 3, 2006

ESL | ESTHETICS AS A SECOND LANGUAGE
3507 Eagle Rock Boulevard, Los Angeles, CA 90065
www.eslprojects.org

+++

ILLUSION IS A REVOLUTIONARY WEAPON
As part of radio.territories, London

Commissioned and presented by Resonance 104.4fm
September 10, 2006

+++

(Day’s end) ILLUSION IS A REVOLUTIONARY WEAPON
With Item Idem and Assistant, Tokyo

September 11 – 16 , 2006

Public Space Commission
9, Akasaka, Minato-ku, Tokyo

+++

ILLUSION IS A REVOLUTIONARY WEAPON
Centre Culturel Français de Milan

22 September – 10 November 2006
venerdì 22 settembre: inaugurazione dalle 12.00 alle 21.00 alla presenza dell’artista / sabato 23 e domenica 24 settembre dalle 12.00 alle 20.00 nell’ambito di startmilano
CCFMI / Start

Le centre culturel français de milan, la galerie
corso magenta, 63 20123 milano
dal lunedì al venerdì, ore 10.00 – 19.00
sabato, ore 15.00 – 19.00
informazioni: tel.+390248591928 fax.+390248591952
presse@culturemilan.it / www.lecentreculturelfrancaisdemilan.it

+++

ILLUSION IS A REVOLUTIONARY WEAPON
CAC TV Vilnius

www.cac.lt

CAC TV Vilnius is part of the story which has been reportedly presented during the re-runs of the episodes of the 2006 season this summer.

+++

The London manifestation of ILLUSION IS A REVOLUTIONARY WEAPON is funded by the European Union’s Culture 2000 programme and co-ordinated by Ed Baxter and Anna Colin in the context of radio.territories.

radio.territories, initiated by the radia network, is a series of urban and acoustic interventions taking place across Europe. It explores the urbanisation of society from the perspective of media, gathering artistic responses to the question: How can diverse identities within a society become audible beyond mechanisms of media representation?

You Are Hear Podcasts News - Dirty Fan Male

Monday, September 4th, 2006

Hi - we are really pleased to be able to bring you the whole of Jonny Trunk’s Dirty fan Male show, our latest podcast offering gives you the chance to hear the whole of Jonny’s infamous festival of filth ‘Dirty Fan Male’ which both delighted and appalled Big Chill-goers in equal measure: a musical stage show comprising some of the most bizarre, outrageous, deranged and inadvertantly surreal letters written to British top shelf lovelies by their most devoted fans. Described by The Guardian no less as ‘delicious filth’, the show is by turns hilarious, bewildering, scary and strangely touching. So listen in as Jonny Trunk and Wisbey invite you into the strange and sidesplittingly funny regions of the male psyche where you will meet the likes of Spunky Arthur and Lionel with his Big Rising Willie. As Jonny describes the show we “had people in fits of laughter which slowly developed into a desperate sense of madness, sadness and more. You will never experience anything quite like it. We haven’t and we made it.”

You Are Hear Green Man Festival Special was aired last week on Resonance and features live performances from Nalle, Juana Molia and Tunng and is now up as a podcast.

This show brings together some highlights from this year’s Green Man festival, held in the dramatically beautiful surrounds of the Brecon Beacons in late August. For this show, we have chosen to present highlights from the live sets of Nalle, Juana Molina and Tunng.

Glasgow’s Nalle comprise former members of the extended folk-improv-drone-jazz outfit Scatter, continuing and focussing many of the collective’s preoccupations: drawing on traditional folksong, psychedelic minimalism, in a spirit of playful experimentation and structural freedom. The voice of Hanne, at once soothing and astringent, meshes with shruti box drones, wooden and straw percussion, viola, bouzouki, oud and other instruments yet more exotic to create a beautifully haunting and uncanny atmosphere.

Juana Molina, an extraordinary singer-songwriter from Buenos Aires, whose graceful and hypnotic music, flows from her acoustic guitar, askew live electronics and her mesmerising voice. Formerly a celebrated TV comic in her native Argentina, she has released several albums since 1996, three of which have been released on Domino Records in the UK, the most recent being ‘Son’ from which much of her Green Man set was taken.

Tunng play a mesmerising mix of folk-influenced acoustic music and busy electronica, overlaying electronic crackles, vocal harmonies, bewitching mantras and synthetic rhythms. Their two albums on Static Caravan and their prolific touring schedule have gathered them a substantial following.

There are now 6 You Are Hear festival specials up on line and podcast.

From the Green man featuring Tunng, Juana Molina and Nalle.

The Big Chill featuring Vashti Bunyan, Martin Carthy and a Hawk and a Hacksaw and Jonny Trunks Dirty Fan Male show.

2 shows from the Glade featuring Bong-Ra Knifehandchop, Gay Against You and the Countryside Alliance Crew.

Sonar featuring live sets from Tucker, Schneider TM, The Modified Toy Orchestra, Marina Yanagisawa’s and Senor Coconut.

Subscribe for FREE Podcast of all our shows

www.youarehear.co.uk

cheers

magz and jim x